Scottish producer Gary Beck has skipped over on his own “BEK Audio” in favor of Alan Fitzpatrick’s “We Are The Brave” imprint. And with good reason, for “Just One More” is the tenth release on the label, which can definitely be considered a (small) milestone. With this festive release, Beck has definitely delivered and he makes us look forward to more great WATB releases to come.
“Just One More” kicks off the EP in true Gary Beck fashion with the use of sweeping pads and substantial percussion. Ecstatic vocal chants break up the repetitive, but massive, melodic portion of the track and truly bring it to life. The production is sublime in its simplicity and will keep you hooked from beginning to end.
“Round My Place” is more or less a modern take on “Round Your Place”, which was released on Drumcode in 2011. Just like its predecessor, “Round My Place” has a stripped back, industrial vibe, but the execution is more colossal and also more suited for today’s dancefloors. Unfortunately, it’s also quite monotone and it could’ve benefitted from some more (melodic) elements.
Techno heavyweight Alan Fitzpatrick brings with “You Got Me” his third installment on his own We Are The Brave platform. Besides being a label, We Are The Brave also serves as an event project, which has already led the British producer on a remarkable tour around the UK, where he performed in the houses of fans. If that hadn’t garnered enough attention already, this release will certainly do the trick. With a brand-new track from Alan and a remix from producer duo Slam on the flipside, this EP is guaranteed to end up high in the charts.
The first two minutes of “You Got Me” showcase dynamic percussion layers and a wobbly bassline, which are then quickly interrupted by the ecstatic vocal chants from Emmanuel Top’s “Play It Loud”. From this moment on, the track kicks into high gear, but except from a short melodic break at the three minute mark, the track doesn’t bring much variation to the table. Despite its carefree energy and use of vocals that are full of life, the track falls a bit short of really intriguing the listener.
Slam brings their own flavour to this release with a stripped back version of “You Got Me”. In all honesty, they’ve stripped it to the bone, because except for the memorable vocal chants, there’s nothing in it that links it to Alan’s original. In true Slam-fashion, the Scottish producers have fused the vocals together with a massive kick and an addictive, visceral lead. The arrangement is simple and the range of elements is limited, but I’d still say that this dancefloor stormer is highly effective.